Berlin meets Røros, through music.

I have a passion for music, obviously, and for photography. When those two worlds meet, then I’m really in my “happy place”. That happened recently in Røros (Norway), a wonderful place in so many ways. It’s a town of great beauty and character, and consequently included on the UNESCO World Heritage List. Combine that with just as welcoming and dedicated locals, world class musicians from the Berliner Philharmoniker mentoring young talents from Norway and it would be hard imagining a better day out in the field.

The day started at 4AM, catching an early train to Røros and ended back home again at around 11PM. The client, “Vinterfestspill i Bergstaden” (a festival being held in March each year), wanted promotional images of Røros, the people involved locally and the visiting artists. A real challenge fitting all those things into a single day of shooting, but seeing the different images now appearing on the festival’s website and social media platforms, I think that the collaboration went quite well. Take a look at https://vinterfestspill.no and judge for yourself.

I’m delighted to be going back to Røros for the festival in late March.

Why photography?

Good evening from Berlin,

Returning to the apartment from a rather spectacular performance at the aforementioned Philharmonie, I started thinking about the need to express oneself artistically and the process of creating.

Why photography? A legitimate question. “You’re a musician, not a photographer.” That’s true, and yet I play and talk “in pictures”. So then, why not take actual images as well. Our life is very much a sensory experience, and that is what I’m trying to bring to life whatever the expressive outlet might be. Sound for a classical musician often starts with lines and dots on a piece of paper, which is pretty uninteresting for both the performer and the listener if it wasn't for the interpretive possibilities of those signs. The same can be said of photography, it’s basically just about the interplay between light and shadow. But when brought to life in a single frame, it can yield wonderful results.

The thing with creating music is that you spend endless hours, if not years, practising and preparing for something that is “lost the moment it’s created”. When the note is played, it’s gone (if not recorded of course). That’s both the magic of a live performance, but also kind of a sad fact if you ask me. Photography is on the other hand something entirely different, it’s about capturing and holding on to that moment. Keeping a record of whatever happened, no matter the significance of that moment.

Going back to music for a moment. Like I said, I just returned for an orchestra concert at the Philharmonie. The Berlin Philharmonic played Gustav Mahler’s First Symphony conducted by Daniel Harding. He conducted the very first concert I ever played with a professional orchestra, close to 20 years ago. Conducting no less than a symphony by Mahler. That was a very special experience for a young music student, being thrust into the overwhelming world of Gustav Mahler without knowing how to make heads or tails of playing in an orchestra. Much because of this experience, Mahler’s music has a very special place in my heart. There’s no record of this, it’s just in my memory and again it is all about conveying and understanding human feelings.

Photography has in a way completed my need for holding on to moments, so that music can stay fleeting and magical in its own right.

Music and photography, two quite different ways of communicating human feelings, but at the same time very complementary looking at the big picture.

Bis später,

Ole

Berlin, March 2019.

Hello from Berlin,

I’m spending the month of March in this awesome city of culture. The municipality of my hometown of Trondheim (Norway) has very kindly allowed me with to stay in their “artists apartment” here in Berlin for a whole month. This is a rather unique opportunity for an artist like myself, that’s allowing me to get to know the cultural scene of Berlin in greater depth than is possible during a short visit. There’s so much going on at any given time here, which one expects of a world class city. The more you experience, the more you realise the scope of whats on offer, and that you cannot possibly take it all in, in the course of just one month. That’s of course not entirely a bad thing, it just means that you have to return again and again.

The focal point of any trip to Berlin, as a classical musician and photographer, is of course Die Philharmonie. The home of the mighty Berlin Philharmonic Orchestra. There are so many great orchestras and concert halls around the world, but can they top this power house of music I wonder? There’s something of a “Gesamtkunstwerk” going on when you visit this place, located close to Potsdamer Platz. You can see the architect Sharoun’s golden and edgy building from afar. When you enter into this structure, you wander around in these angled and quirky shapes. The evident reason for the shape of this building hits you when stepping into the main performance hall. You as an audience member are surrounding the stage and the sound surrounds you. An immersive feeling, if you’re on stage performing or comfortably seated in the hall as a member of the audience. Do make the time to come to Die Philharmonie and experience the true power of the performing arts. If you would like to see more of the hall, the resident orchestra and behind the scenes footage, I highly recommend checking out the orchestra’s own photographer Monika Rittershaus. You can find her work online and, believe it or not, in good old fashioned books. Her book “Moving Music” is a wonderful documentation of Sir Simon Rattle’s tenure as chief conductor of the orchestra.

I still have a few days left in Berlin before I head home, and those days will be filled with cultural activities and of course photography.

Bis später,

Ole